Volker HullerThe Dja vu experience, writes Margit Brehm in her essay on the most recent works by the Schwontkowski student, Volker Hueller (b. 1976) deceives the senses. That might have something to do with the artists own aims, for example how one should approach the differentiation of the basic questions in painting since the beginning of the twentieth century, leading directly to the dynamic relationship between abstraction and figuration, but also to questions